Ed Rampell: Yes, Prime Minister’s bristling dialogue is decidedly political and full of humorous social commentary about the British power elite, plus the expediency and opportunism that characterizes affairs (figuratively and literally) of state.
Ed Rampell: Bellocchio is still pushing the proverbial envelope — his latest offering, Dormant Beauty, sort of combines the searing look at sickness and hard hitting politics of his first two features with yet another forbidden subject.
Ed Rampell: This behind-the-scenes expose of the banksters and their nefarious high finance manipulations and machinations is a fictional, highly entertaining counterpart to Oscar winning documentary Inside Job, about Wall Street’s massive defrauding of the people — at taxpayer expense.
Ed Rampell: One Night in Miami… has a deliciously enticing “what if?” notion based on limited documentation regarding what really happened behind closed doors after Cassius Clay (the appropriately irrepressible Matt Jones) whooped Sonny Liston in the Sunshine State.
Ed Rampell: “Hark! What light breaks through yonder canyon?” Why, it’s none other than another repertory season of revels and revelations at Will Geer’s Theatricum Botanicum, made glorious summer by these sons and daughters of Geers.
Ed Rampell: While William F. Buckley presented an erudite face for reactionary politics, Morton Downey Jr.’s moronic ravings was really a far more honest mode of expressing the right-wing lunacy masquerading as the free market or imperial foreign policy, which started running amok in the 1980s.
Treva Brandon Scharf: Everyone should exercise their right to bare arms – just not in the state of Georgia though, where every Second Amendment nut job feels the need to show off their guns everywhere they go.
Elizabeth Nussbaumer: Offsets and the added profit from repurposed pollution perpetuate and further engrain the trend of polluting with impunity by using energy sources that only take us backwards in our need to address growing pollution debts.