Get Your Brecht On

Brecht-on-Brecht-590

Ed Rampell: Brecht on Brecht is precise in its stagecraft, adeptly acted, deftly directed and Gayle Bluemel does her musical forebears, Mssrs. Brecht and Weill, proud.

Olivier Assayas Interview: Changing the World Through Cinema

olivier assayas

Ed Rampell: Today, people don’t think of a revolution. They think of adapting society, of making the hope of more fairness, more justice, more social justice, more generosity, which are old things . But in the 1970s it would have been called “reformist,” which was an insult.

Alvin Ailey Dance Theater: Ailey’s Comets Cometh

alvin ailey

Ed Rampell: Ailey’s comets are soaring across the stage and illumining the Dorothy Chandler Pavilion through April 21 with three programs, all of them containing the iconic Revelations, created by Alvin Ailey himself in 1960.

Heart of Darkness: Yes! We Have No Bwanas

AG-HEART-OF-DARKNES-55

Ed Rampell: The Gang’s version of Conrad’s Heart of Darkness is psychologically and politically troubling; in other words, it is great, thought-provoking theatre, spearheaded by Finney’s bravura performance.

A Bite of the Apple

steve jobs

Ed Rampell: This version of “The Agony and the Ecstasy of Steve Jobs” is a really important, well-executed one-man show that exposes the abusive working conditions of masses of Chinese laborers toiling away for low pay in abysmal circumstances.

Tomorrow the World

donald freed tomorrow

Ed Rampell: In this new play, Donald Freed extrapolates elements from MacBeth and its murderous lust for power, interchanging them with the 2000 presidential election’s Bush v. Gore debacle.

Class Struggle and Cinderella

cinderella

Ed Rampell: This L.A. Opera production of Gioachino Rossini’s Cinderella <(La Cenerentola) is nothing short of a sheer delight. It ranks amongst the most enchanting of all of the operas I’ve ever seen.

Cavalia’s Odysseo: A Show Unlike Any Other

odysseo

Ed Rampell: Cavalia’s Odysseo is a high tech horse-themed show unlike any other. Under the world’s largest White Big Top a breathtaking new 21st century art form synthesizes stallions, stunts, stilts, circus, cinema, sight and sound, created by a Cirque du Soleil co-founder.

Judy, Judy, Judy!

end of the rainbow

Ed Rampell: As great as Bennett’s live numbers performed during the nightclub scenes are — and her singing and hoofing is worthy of Garland in all her glory — End of the Rainbow is a cautionary tale. Fame is no substitute for a rewarding personal life offstage and offscreen, with loving family, friends, lovers/spouses.

Related Posts Plugin for WordPress, Blogger...