Ed Rampell: The good news is that Capitalism, A Love Story is another Michael Moore instant classic, and in his considerable, 20-year-long oeuvre – which spurred revitalization of the documentary as an art form, as well as an entertainment medium — is second in quality and power only to his 2004 masterpiece, Fahrenheit 9/11.
Ed Rampell: Fair play demands that if Woods is sincere about doing a mea culpa, he should start by apologizing to African Americans for his record of turning his back on them in his unbridled, selfish pursuit of money, glory and sexual gratification by currying favor with the dominant majority culture.
Ed Rampell: The 2009 Progie Award winners include: Michael Moore’s anti-corporate documentary Capitalism, A Love Story; the Palestinian immigrant drama Amreeka; the German urban guerrilla feature The Baader-Meinhoff Complex; the psychic military unit satire The Men Who Stare At Goats and British director Ken Loach, all completely overlooked by this year’s Oscars.
Ed Rampell: Probably the most controversial film screened this year at PAFF was the Australian doc Stolen, which, according to co-director Daniel Fallshaw, started out as a documentary about the plight of people in refugee camps as a result of the West Sahara liberation movement against Morocco led by the Polisario. But, he said, in the process of filming Fallshaw and co-director Violeta Ayala purportedly stumbled upon something quite unsettling: the existence of slavery in these resettlement centers, with some Blacks owned by Arabs in the camps.
Ed Rampel: It’s time to dump and jump the sinking two-party ship of state and create a new progressive people’s party. If those well-meaning activists who’d wasted time and money supporting Obama, just so he could backstab them once he got in power, had expended that energy and money on creating a new genuinely pro-worker, pro-peace, pro-human rights, pro-gay rights, pro-single payer, pro-woman, pro-ethnic rights, anti-global warming, anti-Wall Street party, we’d be better off.