Gary Corseri: When I saw his gray tombstone slab—about the size of a large cereal box!—with nothing but the capitals “HENRY” inscribed on it, I thought at first: Surely this writer-philosopher-naturalist-activist deserved better notice than this! And then I thought: This is fitting….
Larry Wines: When we see Supreme Court cases in religious swaddling clothes, a movie may appear trivial. It isn’t. Hollywood drives culture, beliefs and opinions disproportionately, just as TV megachuch pastors do.
Ed Rampell: Both the Will Geer Theatricum Botanicum’s Merlin, Harbinger of Peace and Sacred Fools’ Watson and the Dark Art of Harry Houdini have succeeded in taking a new look at and breathing new life into characters who have been popular for literally centuries.
I will always fight for leveling the playing field, because I came from the 99 percent. I’m not in the one percent, but I have deep pockets and I know where I came from and I will fight for the 99 percent the rest of my life.
Scot Nakagawa: The song and accompanying video are intended to “parody” the popular sexual fetish for Asian women. Instead, it has the effect of making a bad joke out of a very problem with extremely serious consequences.
Michael Sigman: Over the past half-century, the right has used “God Bless America” as an all-purpose signifier of the God-given superiority of All-American values over those of the secularists, socialists, anarchists and malcontents of the left.
Ed Rampell: The Geers’ effervescent version of the Bard’s dream-like yarn is such rip-roaring good fun that it should suffice to say, that if you love yourself and believe you deserve to have a good time, get thee to a Topanga amphitheater.
Ed Rampell: This comedy, obviously, is much more concerned with its characters’ sex lives than, say, with a little thing like Trotsky’s theory of Permanent Revolution (which I don’t believe is ever mentioned by name onstage).
Michael Sigman: I found myself looking forward to my Facebook birthday experience with pleasant imaginings that meshed with the sweet anticipation of the vast quantities of sugar I would soon permit myself to ingest.
Randy Shaw: Disney’s mammoth investment in a western originally based on traditional racial stereotypes—a white man with an honorable but terse Native American sidekick—speaks volumes to Hollywood’s current disconnection from real-life concerns.