Ed Rampell: What is Richard Wagner’s The Flying Dutchman (Der Fliegende Holländer) if not a rip-roaring ghost story, highly charged by greed, and lest we forget, sexual frisson?
David Riker: I began to think about what it means to live in the very epicenter of the American Dream, and feel not hope – but trapped. My focus shifted, and I began to imagine a film not simply about the borders of geography, but about human borders – of class, culture, attitudes, and ideas. This was the starting point for The Girl.
Irene Monroe: While some will contest that Tarantino is being well…Tarantino, and he means no disrespect, others argue that his privilege as a well-respected moneymaking white heterosexual male filmmaker gives him carte blanche to recklessly express his creative juices even if it reinscribes stereotypes that many feel Django does.
Wa;ter Moss: The destruction, personal suffering, and tragedies caused by our recent Hurricane Sandy were not a repeat of the 1930s’ Dust Bowl, but they were close enough to remind us that we have ignored at our peril a basic historical lesson: Screw up the environment badly enough and it’ll come back to blow you away with a vengeance.
Ed Rampell: We often label and lump the turmoil that swept America and the world with a series of assassinations, Civil Rights, the antiwar movement, Black Power, China’s Red Guard, the Prague Spring, feminism and so on under the broad rubric of “the ’60s.” Auteur Olivier Assayas’ Something in the Air sets the record straight, showing that the era’s radical fervor continued well into the 1970s.
This letter was written by an anonymous “fan” of Dr. Laura Schlessinger. It’s been posted and published on countless blogs and newspapers. But its such a good read it’s worth reposting. Enjoy. Dear Dr. Laura: Thank you for doing so much to educate people regarding God’s Law. I have learned a great deal from your [...]