Alvin Ailey Dance Theater: Ailey’s Comets Cometh

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Ed Rampell: Ailey’s comets are soaring across the stage and illumining the Dorothy Chandler Pavilion through April 21 with three programs, all of them containing the iconic Revelations, created by Alvin Ailey himself in 1960.

Heart of Darkness: Yes! We Have No Bwanas

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Ed Rampell: The Gang’s version of Conrad’s Heart of Darkness is psychologically and politically troubling; in other words, it is great, thought-provoking theatre, spearheaded by Finney’s bravura performance.

Unlikely Friends: When Victims and Perpetrators Meet

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Diane Lefer: Punishment alone–though necessary and often satisfying–will not repair damage or help victims move forward with their lives. Restorative justice brings offenders and victims together to provide a chance for perpetrators to make amends and to promote social and individual healing.

The Lowdown on Accidental Racism

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Bruce Reilly: The sensational buzz around country star Brad Paisley’s song “Accidental Racist” is perfect fodder for a Twitter blurb — but is this the extent of racial analysis we can muster in America?

Argo Apostasy

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Gary Corseri: Movies like “Argo” have nothing to do with “freedom of speech” and everything to do with suppressing free speech and the truth for the sake of profits, promoting wars and hatred and slaughter.

Barry Goldberg: Fifty Years Of ‘Chicago Blues’

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Michael Sigman: The story of American music is often the story of race — and particularly of white boys and girls learning about music from black men and women. The tale of Elvis Presley hanging out in Mississippi juke joints is something like a gospel story in the history of American culture.

A Bite of the Apple

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Ed Rampell: This version of “The Agony and the Ecstasy of Steve Jobs” is a really important, well-executed one-man show that exposes the abusive working conditions of masses of Chinese laborers toiling away for low pay in abysmal circumstances.

Tomorrow the World

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Ed Rampell: In this new play, Donald Freed extrapolates elements from MacBeth and its murderous lust for power, interchanging them with the 2000 presidential election’s Bush v. Gore debacle.