Rev. Irene Monroe: The historical legacy of the devaluation and demonization of black motherhood was both applauded and rewarded at this year’s Oscars. And the point was clearly illustrated with Mo’Nique, capturing the gold statue for best supporting actress in the movie “Precious,” based on the novel Push by Sapphire, as a ghetto welfare mom who demeans and demoralizes her child every chance she can.
Randy Shaw: While conservatives love bashing “Hollywood liberals,” Sunday night’s Oscar telecast showed how little this description applies. From Kathryn Bigelow’s promoting George W. Bush’s argument that the U.S. invaded Iraq to protect Americans, to the disproportionate acclaim given to films exalting the military, to the exclusion of Michael Moore’sCapitalism, A Love Story from the documentary nominees, Hollywood now largely avoids any hint of progressive social analysis.
Ed Rampell: But in a country still troubled by racism, where hate crimes are on the rise — from nooses and KKK hoods at the University of California San Diego to death threats against the first African American president — any month is appropriate for this engaging interpretation of the life and death of Emmett Till, the martyr who launched the Civil Rights movement. Three months after Till’s murder, Rosa Parks stood up by sitting down in a segregated Southern bus.
Ed Rampell: The good news is that Capitalism, A Love Story is another Michael Moore instant classic, and in his considerable, 20-year-long oeuvre – which spurred revitalization of the documentary as an art form, as well as an entertainment medium — is second in quality and power only to his 2004 masterpiece, Fahrenheit 9/11.
Glenda Hooker, an extraordinary doll artist, will be exhibiting her collection of miniature vignettes depicting events and significant icons of Black American History. Her traveling museum will be on display: March 7, Sunday 11:00-2:00 301 N. Orangegrove, Pasadena, CA For 30 years Ms. Hooker’s pieces have been displayed at miniature shows across the United States [...]
Georgianne Nienaber: After six years, “The Imaginative Storm” has morphed into an improvisational party populated with wordsv–va chaotic captivation designed to stimulate the writer’s imagination. Writers really have no chance for a passive absorption of technique if they brave Huston and Nave’s workshop.
Ed Rampell: The 2009 Progie Award winners include: Michael Moore’s anti-corporate documentary Capitalism, A Love Story; the Palestinian immigrant drama Amreeka; the German urban guerrilla feature The Baader-Meinhoff Complex; the psychic military unit satire The Men Who Stare At Goats and British director Ken Loach, all completely overlooked by this year’s Oscars.
Georgianne Nienaber: Obsessions notwithstanding, whatever formulas Holley has applied to parenthood and her creative life seem to be working. Nourishing transplanted Delta roots and tending to a mother’s worries are a challenge, but it appears that Holley may have found her muse and her strength in southern California.
Ed Rampell: Probably the most controversial film screened this year at PAFF was the Australian doc Stolen, which, according to co-director Daniel Fallshaw, started out as a documentary about the plight of people in refugee camps as a result of the West Sahara liberation movement against Morocco led by the Polisario. But, he said, in the process of filming Fallshaw and co-director Violeta Ayala purportedly stumbled upon something quite unsettling: the existence of slavery in these resettlement centers, with some Blacks owned by Arabs in the camps.
Ed Rampel: It’s time to dump and jump the sinking two-party ship of state and create a new progressive people’s party. If those well-meaning activists who’d wasted time and money supporting Obama, just so he could backstab them once he got in power, had expended that energy and money on creating a new genuinely pro-worker, pro-peace, pro-human rights, pro-gay rights, pro-single payer, pro-woman, pro-ethnic rights, anti-global warming, anti-Wall Street party, we’d be better off.
Right now, the Harmony Project is fundraising together with the Mayor’s Office of Gang Reduction and Youth Development. They have highlighted 12 gang reduction zones (areas with a high documented rate of violent gang crime) in which Harmony Project serves as an official part of the city’s strategy to reduce gangs by keeping kids away from predators, and helping them develop discipline, persistence, self-esteem and accountability which will lead them to success in school and in life.