Weathering a Blizzard of News Media Bravado

ginger zeeGinger Zee is an ABC News weather person. She’s 32 years old, has a B.S. in meteorology, and says even in high school she wanted to be a TV network weatherperson. Not a scientist in a lab studying and analyzing weather, but a TV weather person. For more than a decade, she worked local and regional markets, mostly in Michigan and Chicago.

Her other qualifications are that she is photogenic, has a somewhat bubbly personality, wears a size 4 dress, weighs 125 pounds, and was her high school homecoming queen. If she wasn’t on TV, she says she’d have loved to be a bartender.

It’s entirely possible she’s competent. But, it’s also possible that TV execs bypassed thousands of other competent meteorologists to find someone who knows weather–and looks good on camera. For meeting those qualifications, ABC-TV gives her significant air time. She is the weather person for the weekend editions of “Good Morning America.” If there’s a snow storm, blizzard, or heavy rain, you can see her—or any of a few dozen other TV personalities—male and female—on air, under an umbrella or in a parka, trying not to freeze any of their six-figure salary assets. It’s a good visual, as they say in TV.

It’s also bad journalism.

There is absolutely no need to put someone onto a deserted street with a hill of snow and wind to tell us there is a hill of snow and wind, and to stay off the roads.

First, it’s just not the weather person who may be in danger. On local news, there’s usually an all-purpose staff person who combines driving the SUV or van with responsibilities as a sound and video technician and who endures the same conditions as the weather person. On network TV, there may be a mini-crew of four others to get the picture on air. We don’t see them, and none make anywhere close to the salaries of the on-air talent. But they’re the ones driving, setting up the equipment, coordinating with the studio, and making sure the live performance during a blizzard appears to be not only as dangerous as it looks, but that the weather person also looks good.

Second, technology has given us the ability to station remote cameras. The weather person could stay indoors, among computers, telephones, charts, and maps and tell us the same thing—without being the only ones dumb enough to be blown into a snow bank.

We understand why local news gives us this visual, and leads off almost every non-prime time newscast with a weather report and usually erroneous predictions. But, now network TV not only gives us the same thing, it also leads off the evening news with same information we get from local news. Last weekend, Ginger Zee and weather people from the news networks were bundled up somewhere in New England, facing the cameras and wind gusts of 75 miles per hour. Some weather people were in Times Square showing us that the “crossroads of the world” was pedestrian free because of the blizzard. They had the easier job—there was less snow, less wind, and Times Square was a limousine ride from the network studios.

Newspapers aren’t immune from the “bravado syndrome.” Editors sitting in windowless offices have no hesitation in sending out eager photographers, salivating at getting that one great weather shot, even if it’s of their company car being stuck in a snow bank after sliding off an icy road.

To “humanize” the story—high-paid news consultants like to throw around the concept of “humanizing a story”—some of the reporters had to find people stuck in the snow. There were many to choose from. But, the questions asked were along the lines of, “So, how did you get into this situation?” “How do you feel about this storm?” and “What do you plan to do?”

There wasn’t much reporting in New Jersey. The “Garden State” was snowed under, but didn’t get hit as bad as New England, which saw two feet of snow and 75 miles an hours wind gusts. But, there were stories there, which didn’t receive heavy coverage and didn’t threaten the news crews’ physical safety. New Jersey has begun to recover from the devastation of Hurricane Sandy.

walter braschCould someone have checked to see what the blizzard did to the people and their properties in those shore areas that were once flooded, and now snowed-in and likely to endure even more water damage if temperatures increased and the snow melted before it could be shoveled and trucked from residential and commercial areas?

Getting “the story” is good journalism. Risking your safety and health, and possibly putting others at risk for a weather story, isn’t.

Walter Brasch
Wanderings

Wednesday 13 February 2013

Published by the LA Progressive on February 13, 2013
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About Walter M. Brasch

Walter M. Brasch, Ph.D., is an award-winning journalist and author. He is a former multimedia writer-producer, newspaper and magazine reporter and editor, and is professor emeritus of mass communications from the Pennsylvania State System of Higher Education. His latest book is Fracking Pennsylvania, which looks at the health, environmental, geological, and economic impact of natural gas horizontal fracturing. He also investigates political collusion between the natural gas industry and politicians. Among his 18 books--most of which integrate history, politics, and contemporary social issues--are The Press and the State, Before the First Snow: Stories from the Revolution, Sinking the Ship of State: The Presidency of George W. Bush, The Joy of Sax: A Look at the Bill Clinton Administration, and Social Foundations of the Mass Media.
He is also the author of dozens of magazine articles, several multimedia productions, and has worked in the film industry and as a copy writer and political consultant. He is the author 16 books, most of them focusing upon the fusion of historical and contemporary social issues, including America's Unpatriotic Acts: The Federal Government's Violation of Constitutional and Civil Rights (2005); Sinking the Ship of State: The Presidency of Geroge W. Bush (2008), Black English and the Mass Media (1981); Forerunners of Revolution: Muckrakers and the American Social Conscience (1991); With Just Cause: The Unionization of the American Journalist (1991); Brer Rabbit, Uncle Remus, and the 'Cornfield Journalist': The Tale of Joel Chandler Harris (2000); The Joy of Sax: America During the Bill Clinton Era (2001); and Sex and the Single Beer Can (3rd ed., 2009). He also is co-author of Social Foundations of the Mass Media (2001) and The Press and the State (1986), awarded Outstanding Academic Book distinction by Choice magazine, published by the American Library Association.