Mozart’s Sublime Class Struggle, Cross-Dressing Romp Triumphs at L.A. Opera.

Figaro

Ed Rampell: Every once in a while there’s an uplifting work of art that makes one feel glad to be alive. L.A. Opera’s exuberant production of Wolfgang Amadeus Mozart’s 1786 The Marriage of Figaro (Le Nozze di Figaro), conducted by none other than Placido Domingo himself, is one of those rare artistic experiences that enable audiences to walk on air and be grateful to be living, if only so they can experience such a rapturous, joyous vision and affirmation of life.

The Blessing Next to the Wound: A Story of Art, Activism, and Transformation

hector aristizabal

Hector Aristizábal grew up in the barrios of Medellin, Colombia, where he and his siblings had to use all their wit, wiles, and wherewithal to survive poverty, the ever-present allure of cheap drugs and very dangerous money, and the endemic violence from leftwing guerrillas, rightwing death squads, cocaine cartels, and the armed power of the State.

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