
Ed Rampell: Ritchie’s high-concept Holmes transforms the cerebral scrutinizer into an action hero – long on mindless violence, stunts, special effects and CGI gimmickry, it’s short on atmospherics and imagination. Call it character assassination.
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Charles Hayes: What 42 makes crystal clear is how shallow and superficial the strain of contempt is that enables and sustains racism as prejudice is handed down from one generation to the next.
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