“Los Angels” at LAFilm Festival, Friday, 25 June: Director Thomas Napper Illuminates Skid Row

Linda Milazzo: Serendipitously, perhaps even miraculously, a second movie had been made; a documentary originally titled THE CHORUS as a take-off on THE SOLOIST, that was now titled LOST ANGELS. It was an expose dedicated entirely to Skid Row and to the extras employed on THE SOLOIST. Joe Wright was an Executive Producer. Susan Klos, author of the above email, who’d read my article, was a Co-Executive Producer, and Thomas Napper, a long-time associate of Joe Wright, lovingly and patiently directed.

Oscar Ceremony Shows Hollywood’s Rightward, Militaristic Shift

Hurt Lockher director Katherine Bigelow, Barbra Striesand

Randy Shaw: While conservatives love bashing “Hollywood liberals,” Sunday night’s Oscar telecast showed how little this description applies. From Kathryn Bigelow’s promoting George W. Bush’s argument that the U.S. invaded Iraq to protect Americans, to the disproportionate acclaim given to films exalting the military, to the exclusion of Michael Moore’sCapitalism, A Love Story from the documentary nominees, Hollywood now largely avoids any hint of progressive social analysis.

Joe Wright’s “The Soloist” Exploits The Skid Row Community

(Photo by Linda Milazzo)

Two Fridays ago on the first day of its release, I went to an early afternoon screening of the film The Soloist. I’d been eager to see it since it focuses on the real life relationship between Los Angeles Times journalist Steve Lopez and Nathaniel Anthony Ayers, a homeless member of Los Angeles’ Skid Row [...]

Ladies First

ladies_first

Black women are accustomed to being referred to and treated as females and workhorses, but not ladies. We are at once the clean-up woman whose tenacity, independence and bull-headedness may render us manless, or increasingly taking care of them in an inversion of traditional gender roles, a la the latest head-nodding about-face to the sistas [...]

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