The City of Second Chances

julie gutman

Julie Gutman: On Labor Day, Let’s Celebrate L.A.’s Status as a Bastion of Human, Immigrant and Workers’ Rights

How L.A.’s New “Farmers Field” Football Stadium Could Boost Urban Agriculture

alissa walker

Alissa Walker: The name Farmers Field is actually incredibly appropriate for L.A. Agriculture is the business that L.A. was built on—the Farmers Insurance company started here in 1928 to provide lower premiums to L.A. farmers and ranchers.

Martin Luther King Day: They Never Heard Him Give a Speech

Eddie Martinez

Kafi D. Blumenfield: “Injustice anywhere is a threat to justice everywhere.” This generation of leaders has taken Dr. King’s injunction to heart and they are taking action. They and their peers find common ground by connecting not only through race, gender, sexual orientation or citizenship status, but also, on higher ground, through shared aspirations and hope for the future.

Oliver Stone Interview: There’s a Specter Haunting Latin America, the Specter of 21st Century Socialism

Oliver Stone and Hugo Chavez

Ed Rampell: “Frankly, we’ve opposed the poor. We’ve opposed the poor not only in those countries but in our own country. The Vietnam War was a war against the poor people of Vietnam, it was also a war against our own selves, by sending our poor people to fight that war.”

“Voices” — What a Sizzling Saga

voices_flyer

Ed Rampell: Voices: A Legacy to Remember does have a memorable story combined with snazzy costumes, great foot stomping choreography and finger snapping music, from traditional Negro Spirituals to Gospel to Jazz,

Mozart’s Sublime Class Struggle, Cross-Dressing Romp Triumphs at L.A. Opera.

Figaro

Ed Rampell: Every once in a while there’s an uplifting work of art that makes one feel glad to be alive. L.A. Opera’s exuberant production of Wolfgang Amadeus Mozart’s 1786 The Marriage of Figaro (Le Nozze di Figaro), conducted by none other than Placido Domingo himself, is one of those rare artistic experiences that enable audiences to walk on air and be grateful to be living, if only so they can experience such a rapturous, joyous vision and affirmation of life.

Waiting For Lefty: The Wait Is Over

Anthony Gruppuso and David Baer

Ed Rampell:: The wait is over, and Theatre West’s revival of Clifford Odets’ Waiting For Lefty is the most important play currently being presented in L.A., and possibly the best production of 2010.

Two Civil Rights Movies Find the Cost of Freedom

Ernie Dingo and Missy Higgins in Bran Nue Dae

Ed Rampell: The documentary Neshoba and musical Bran Nue Dae remind us of how far we’ve come – and, like Willie en route from Perth to Broome – how far we still have to go before we overcome and that Brand New Day of equality dawns.

Civil Rights and Wrongs Onstage at Two L.A. Theatres

Carry It On! Bill Durhamm and Rowena Johnson (Photo Miriam Geer)

Ed Rampell: Art emerges out of our collective psyche to reflect our times, and it’s fascinating to see how L.A. theatre is responding to the current attack on our civil, human and constitutional rights and liberties.

Representing: The Future of Blacks in Law Enforcement and Fire Emergency Services in Los Angeles

black fire and police leaders

Jasmyne Cannick: A conversation with the President’s of the Black Employee Associations for the L.A.P.D., Los Angeles Sheriff’s Department, and Los Angeles City and County Fire Departments

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