L.A. Opera Rescues Conflicted Sexuality from Obscurity and the Nazis

Ed Rampell: The current production of The Stigmatized is the opera’s U.S. premiere and part of L.A. Opera’s “Recovered Voices” series, which, according to press notes, is “a multi-season initiative to revive the works of composers whose lives and careers were cut short by the Nazi regime.” Schreker’s saucy work, set in 16th century Genoa, was originally presented in Germany in 1918, and can be viewed as being part of the edgy postwar culture of the Weimar Republic that included sexually charged works in various cabaret acts and by playwrights such as Bertolt Brecht.

Torture? What About the Crime of Waging Aggressive War?

mission-accomplished

Right after the climactic finish of World War Two, the International Military Tribunal at Nuremberg, while picking through the aftermath of the world’s biggest bloodbath to date, famously called the waging of aggressive war “essentially an evil thing.” “[T]o initiate war of aggression,” the tribunal concluded, “is not only an international crime; it is the […]

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