Ed Rampell: The bioplay, expertly acted by Ruskin, reveals that Paine was a sort of Trotsky of the American Revolution — the world revolutionary who wound up as a prophet outcast.
Ed Rampell on KPFK: Rampell will talk about his CounterPunch cover story called “Hollywood’s Year of Living Clandestinely”
Ed Rampell: While William F. Buckley presented an erudite face for reactionary politics, Morton Downey Jr.’s moronic ravings was really a far more honest mode of expressing the right-wing lunacy masquerading as the free market or imperial foreign policy, which started running amok in the 1980s.
Ed Rampell: Sightseers is a sort of demented On the Road meets Thelma and Louise meets Bonnie and Clyde, with a dash of Manson tribe sprinkled on top for good measure.
Hollywood Progressive/LA Progressive film critic/historian Ed Rampell will introduce the movie and lead a post-screening discussion.
Ed Rampell: Brecht on Brecht is precise in its stagecraft, adeptly acted, deftly directed and Gayle Bluemel does her musical forebears, Mssrs. Brecht and Weill, proud.
Ed Rampell: Thousands of fans attended screenings of vintage films, discussions with and personal appearances by movie talents, dressed in period garb, partied like it was 1929 and witnessed an Academy Award winner’s footprints and handprints immortalized in cement at the fabled Chinese Theatre.
Ed Rampell: Today, people don’t think of a revolution. They think of adapting society, of making the hope of more fairness, more justice, more social justice, more generosity, which are old things . But in the 1970s it would have been called “reformist,” which was an insult.
For the next several months, Cafe Inquiry will be your host for major motion pictures with a secular, skeptical, or topical bent, followed by discussion.
Ed Rampell: Ailey’s comets are soaring across the stage and illumining the Dorothy Chandler Pavilion through April 21 with three programs, all of them containing the iconic Revelations, created by Alvin Ailey himself in 1960.
Ed Rampell: The Gang’s version of Conrad’s Heart of Darkness is psychologically and politically troubling; in other words, it is great, thought-provoking theatre, spearheaded by Finney’s bravura performance.
Ed Rampell: This version of “The Agony and the Ecstasy of Steve Jobs” is a really important, well-executed one-man show that exposes the abusive working conditions of masses of Chinese laborers toiling away for low pay in abysmal circumstances.
Ed Rampell: Tony Award-winning “Master” takes theatergoers to the realm of “high art,” featuring the life and career of Maria Callas, one of opera’s top sopranos and stars.