Ed Rampell: In this new play, Donald Freed extrapolates elements from MacBeth and its murderous lust for power, interchanging them with the 2000 presidential election’s Bush v. Gore debacle.
Ed Rampell: This L.A. Opera production of Gioachino Rossini’s Cinderella <(La Cenerentola) is nothing short of a sheer delight. It ranks amongst the most enchanting of all of the operas I’ve ever seen.
Ed Rampell: Cavalia’s Odysseo is a high tech horse-themed show unlike any other. Under the world’s largest White Big Top a breathtaking new 21st century art form synthesizes stallions, stunts, stilts, circus, cinema, sight and sound, created by a Cirque du Soleil co-founder.
Ed Rampell: Spring is here and so is the annual Los Angeles Women’s Theatre Festival, which kicked off its 20th anniversary Emerald celebration with a champagne reception, awards ceremony and performances on March 21 at LA Gay & Lesbian Center.
Ed Rampell: As great as Bennett’s live numbers performed during the nightclub scenes are — and her singing and hoofing is worthy of Garland in all her glory — End of the Rainbow is a cautionary tale. Fame is no substitute for a rewarding personal life offstage and offscreen, with loving family, friends, lovers/spouses.
Ed Rampell: What is Richard Wagner’s The Flying Dutchman (Der Fliegende Holländer) if not a rip-roaring ghost story, highly charged by greed, and lest we forget, sexual frisson?
Ed Rampell: Dreamgirls is a thoroughly enjoyable, rollicking, rocking journey down musical memory lane that tells a fictionalized history of 1960s/1970s Black pop music through, appropriately, the medium of Tom Krieger’s blitzkrieging music and dance, as skillfully choreographed by Rae Toledo.
Ed Rampell: Don’t miss this inspiring theatrical adaptation of The Grapes of Wrath, the rabble-rousing, pro-union Depression-era classic that, alas, remains as timely now as the day John Steinbeck wrote it in 1939.
Ed Rampell: We often label and lump the turmoil that swept America and the world with a series of assassinations, Civil Rights, the antiwar movement, Black Power, China’s Red Guard, the Prague Spring, feminism and so on under the broad rubric of “the ’60s.” Auteur Olivier Assayas’ Something in the Air sets the record straight, showing that the era’s radical fervor continued well into the 1970s.
Ed Rampel: The history of the Hawaiian holocaust begins in 1778 with Cook’s voyages, his death at Kealakekua Bay, and the British reprisal. Protestant missionaries from New England arrived in 1820, filling a cultural vacuum created by the breaking of the pre-contact religion’s Kapu system in 1819.
Ed Rampell: A century after the deposing of Queen Liliuokalani, these Polynesians have become an oppressed, landless, and often homeless, minority in their own ancestral homeland. Yet, a revived Hawaiian Sovereignty Movement is fighting for native land and cultural rights.
Ed Rampell: Although, as this highly recommended play rightfully reminds us, poverty – then and now – is serious business. Greed was not good when perpetrated by Wall Street’s Gordon Gekkos of 1837, or today.
Ed Rampell: A March 19 antiwar demonstration in Los Angeles ended with around nine activists being taken away by L.A.P.D. officers after they occupied the courtyard of Hollywood’s world famous Chinese Theatre.