Sikivu Hutchinson: Inundated with racist pop culture images of violent black masculinity and hyper-sexualized black femininity, black boys in particular often struggle to define manhood in ways that aren’t based on hardness and controlling black girls and women. Woke Feminist Men
Sikivu Hutchinson: Whereas each week brings a tide of white female victims/survivors accusing, and, sometimes, triumphing over their abusers, black women and girls remain invisible, both as victims, survivors and heroines fighting back against sexual assault.
Sikivu Hutchinson: Over the past several years, these toxic canards, often cloaked in civil rights rhetoric, have been used to smear abortion and demonize black women’s bodies.
here’s a pivotal scene in freethinker Lorraine Hansberry’s 1959 play A Raisin in the Sunin which matriarch Lena Younger tries to put the fear of God in her rebellious, politically conscious daughter Beneatha. Beneatha, an Afrocentric atheist, has been mouthing off about God’s non-existence and irrelevance, proclaiming “Mama…it’s all a matter of ideas and God […]
Sikivu Hutchinson: From white Christian missionaries to inner-city street corner evangelists, “getting Jesus” and going to church have long been touted as the great antidotes to criminality and “bad behavior.”
Sikivu Hutchinson: The Christian soldiers, fascists and terrorists of the American right have doubled down with hundreds of new restrictions on birth control, abortion and clinic access.
Sikivu Hutchinson: In the death scope of the Cleveland police and the Cuyahoga grand jury, the state’s second murder weapon of choice, Tamir Rice could only be a lawless criminal, junior thug, and public enemy, “older” than he appeared and hence culpable for his own murder.
Sikivu Hutchinson: One of my pet peeves is those who self-righteously claim that these fascist acts are “un-American”, when they are merely chickens coming home to roost.
Sikivu Hutchinson: The GOP’s racist, sexist, xenophobic platform of religious extremism has created a climate in which the public rhetoric and apparatus of state violence are in perfect alignment.
Sikivu Hutchinson: While Jonestown as cultural “artifact” is perversely sexy—the object of near necrophilic projection and fantasy—Peoples Temple is a historical stepchild; its legacy an unwelcome reflection of the race, gender and class divide in “New Jim Crow” America.
Sikivu Hutchinson: The criminal justice system, the police, and ordinary white citizens have played in preserving the purity of white womanhood by both promoting the image of the insatiable black rapist and the out of control, hypersexual black “bitch.”
Sikivu Hutchinson: These days, unarmed black children rank higher than mass murderers with semi-automatic weapons as public enemy number one on American school campuses.
Sikivu Hutchinson: As the economic climate worsens for communities of color, generalized white feminist shibboleths on women’s rights won’t cut it for women of color.