Michael Sigman: The upcoming Major League Baseball All-Star Game will be the first hosted by the New York Mets since 1964, reminding me that following the All-Star break that same year, my St. Louis Cardinals staged one of the most thrilling comeback stories in baseball history.
Gary Corseri and Adam Engel: It’s interesting that while Salinger and Hemingway were literally like a balm to each other’s frazzled nerves during that surreal winter in the Hürtgen forest, apocalyptic beyond words, and they remained bonded through that experience
Peter Laarman: Actually, my dears, what is killing the humanities is precisely the empire-in-decline anxiety that drives this report: the sense that Chinese college grads these days might actually know their Moliere and their Montesquieu better than our grads do.
Ed Rampell: George S. Kaufman and Edna Ferber’s 1927 The Royal Family is a love letter to the act of acting, and, in particular, to the actors and actresses who trod the boards and appear onscreen.
Gary Corseri: So they padlocked me in Solitary! An hour a day in sun or rain, in an orange jump-suit— Like a clown—outdoors.
Sikivu Hutchinson: Using Lou Reed’s homage as its introduction, white director Morgan Neville’s bittersweet documentary “20 Feet from Stardom” attempts to bring black female back-up singers into the foreground with both moving and problematic effect.
Ed Rampell: This progressive picture is about the Chinese-American woman whom Angela Davis declares onscreen to have “made more of a contribution to Black people than most Blacks.”
Ed Rampell: Winter in the Blood imparts an excellent sense of the impact this foreign invasion and occupation has had on America’s aboriginal inhabitants.
Ed Rampell: Yes, Prime Minister’s bristling dialogue is decidedly political and full of humorous social commentary about the British power elite, plus the expediency and opportunism that characterizes affairs (figuratively and literally) of state.
Ed Rampell: Bellocchio is still pushing the proverbial envelope — his latest offering, Dormant Beauty, sort of combines the searing look at sickness and hard hitting politics of his first two features with yet another forbidden subject.
Ed Rampell: “Our Nixon” is a compilation film by Penny Lane about the only U.S. President (so far!) who resigned and had to leave that office is disgrace.
The Frying Pan: A successful mayor and council cannot be satisfied with merely coping as issues arise, but must be able to anticipate and define the city´s needs for the next four years. As our newly elected leaders prepare for their roles, we´ve asked writers to share their thoughts about what lies ahead for Los Angeles.
Ed Rampell: This behind-the-scenes expose of the banksters and their nefarious high finance manipulations and machinations is a fictional, highly entertaining counterpart to Oscar winning documentary Inside Job, about Wall Street’s massive defrauding of the people — at taxpayer expense.