Dormant Beauty: The Right to Die Is Near


Marco Bellocchio rocketed to fame in 1965 with Fists in the Pocket, a riveting look at epileptics, and 1967’s China Is Near, which daringly dealt with Maoism when this was a strictly taboo topic. The Italian director’s leftist bent was also evident in 2009’s Vincere, about the son of Mussolini and his mistress. Bellocchio is still pushing the proverbial envelope — his latest offering, Dormant Beauty, sort of combines the searing look at sickness and  hard hitting politics of his first two features with yet another forbidden subject.

The topical Dormant Beauty is about — depending on your point of view — the right to die, or perhaps, rather, the right to life. Prime Minister Silvio Berlusconi’s Italy is torn apart by warring factions who oppose state sanctioned and administered deaths, in particular, for people in comas. Bellocchio skillfully interweaves news footage about an actual 2008 court battle involving a woman who has been in a vegetative state for 17 years and is about to be removed from life support, with several private stories that are variations on the same theme, proving once again that the political is also personal.

dormant beautyTony Servillo (2008’s Il Divo, 2010’s Gorbaciof) stars as an Italian senator, Uliano Beffardi, who decides to go against party discipline and do that odd thing in bourgeois electoral politics: take a principled stand in favor of the right to die and deciding to end one’s own life. In the process the senator ends his own political life. (At one point a protester mocks him for turning his back on socialism.) Meanwhile, the senator’s own wife is dying in the hospital and Beffardi’s daughter, Maria (Alba Rohrwacher), joins the religious zealots who vociferously oppose the right to die. She has one of Dormant Beauty’s two “cute meets”, as she romances Roberto (Michele Riondino), whom [PLOT SPOILER ALERT!] she encounters through demonstrations regarding the fate of the comatose woman. Although they are on opposite sides of the issue, the couple provide the movie’s nude scene (Bellocchio’s 1987 The Devil in the Flesh has a steamy oral sex sequence). Roberto’s brother, Pipino (Fabrizio Falco), is a right to die fanatic as angry and disturbed as any of the characters in Fists in the Pocket.

The sensuous Italian/Iranian actress Maya Sansa plays a suicidal thief and addict who has the movie’s other cute meet, with the compassionate Dr. Pallido (the director’s son, Pier Giorgio Bellocchio). Playing true to type, the great French actress Isabelle Huppert (1974’s Going Places, 1980’s Heaven’s Gate, 1982’s Godard’s Passion, 2012’s Amour) portrays a thespian called Divina Madre, whose own daughter hovers between life and death in a coma.

ed rampell

Ed Rampell

It’s an odd thing that (especially in this country) the so-called right to life movement fanatically opposes abortion and assisted suicides, but often the very same leaders and rank and file true believers are gung ho when it comes to capital punishment and going to war. I guess matters of life and death are like comedy — it’s all in the timing. Be that as it may, Bellocchio remains in good form and renders a trenchant, poignant, thoughtful look at this controversial issue. After all these years Marco Bellocchio is still relevant and making compelling films.

Ed Rampell

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Monday, 24 June 2013




  1. martaz says

    Bellocchio is not as well known in the US as he should be–perhaps because of his analytical, non-rose colored view of both the left and right. Vincere was memorably chilling. One of his finest films– not out on DVD as far as I know — is Victory March. Brilliant observation of a Fascist military mind-set. Saw it in the late 80’s at a third run movie house–scratched print, etc. but — though I remember only fleeting images– it opened my mind. Good Morning, Night– about the kidnapping/murder of Aldo Moro is also stunning. That one IS on DVD. Looking forward to Dormant Beauty

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