Charley James: Unfortunately, I’m not a bleeder and although I was unconscious for 14 hours, the blood coagulated too quickly to nudge me over the edge.
Charley James: Homeless children not only are robbed of their childhood but also suffer at school so their situation is likely to affect them the rest of their lives.
Hans Johnson: Provoking some of the growing anger against Tea Party Republicans is the tone of callousness toward people of color, women, and the sacrifice of veterans who voice frustration at the toll of cuts and barriers in the democratic process itself.
Berry Craig: While the tea partiers fancy themselves patriots in the mold of 1776 and all that, they remind me of those less-than-well-heeled American Tories who sided with old Mother Britain’s rich powers-that-be in the name of King and Country.
Ed Rampell: Mid-August Lunch may be out of step with the movie mainstream (all the more reason to feast your eyes on it), but it is very much in the Italian cinematic tradition of Neo-Realism. Like his motion picture predecessors such as Vittorio De Sica, Roberto Rossellini, Luchino Visconti and Federico Fellini, Di Gregorio has cast a number of non-professional actors in the roles of the Italian mamas, and a couple of the director’s real life friends to play versions of themselves. This “amateur” casting – as the term “Neo-Realist” implies – often gives performances a more true-to-life, if less polished, quality, and it works very well onscreen here.